VOLUME I:
JAPANESE AVANT-GARDE PIONEERS

Featuring Araki Nobuyoshi, Moriyama Daidō, Hosoe Eikoh, Ishiuchi Miyako, Tanaami Keiichi, Yokoo Tadanori, Mishima Yukio, Hijikata Tatsumi, Ohno Kazuo, Terayama Shūji, Tenjō Sajiki, Kawada Kikuji, Neo-Dada Organizers, Hi-Red Center, Awazu Kiyoshi, Kaneko Ryūichi, Hanaga Mitsutoshi, Enomoto Ryoichi, Nakahira Takuma, Tanabe Santaro, Sasame Hiroyuki, Mizohata Toshio, Morishita Takashi, Lena Fritsch, Alexandra Munroe, Lucy Fleming-Brown, Peter Tasker, Master K.

The 1960s era in Japan was a time of profound social change, political unrest and student protests. The turbulent times of the postwar era inspired an artistic explosion in Japan, with the emergence of a revolutionary scene of avant-garde artists who pioneered many disciplines: experimental and erotic photography, “Angura” theatre and underground street performances, apocalyptic Butoh dance, surreal illustrations and seminal graphic design.

A new aesthetic of photography was born: “Are, Bure, Boke” (rough, dark and out of focus), pioneered by Moriyama Daidō and the Provoke magazine photographers. Araki beautified bondage and Hosoe Eikoh sublimated the male body. Ishiuchi Miyako captured her experience of American military bases. Kawada Kikuji’s era-defining photobook The Map captured the poignancy of Hiroshima’s trauma.

Master of underground theatre Terayama Shūji produced countless magical, surreal and vividly colourful films, plays and photobooks, Yokoo Tadanori and Awazu Kioshi revolutionised graphic design with their incandescent theatre posters, Tanaami Keiichi, Japan’s answer to Andy Warhol, developed his unique kaleidoscopic vision of Pop-Art, and Butoh founders Hijikata Tatsumi and Ohno Kazuo impacted modern dance forever with their dance of darkness and light. 

Directed by Amélie Ravalec
Produced by Circle Time Studio
Co-produced by Mucho Mas Lab Inc. / Maaserhit Honda

Supported by The Daiwa Anglo-Japanese Foundation, The Great Britain Sasakawa Foundation and Steve Finbow.