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Press enquiries: Jack Ames
j.ames@thameshudson.co.uk

 JAPAN ART REVOLUTION

The Japanese Avant-Garde, from Angura to Provoke
1960 -1979

Featuring over 600 artworks by Moriyama Daido, Hosoe Eikō,
Araki Nobuyoshi, Ishiuchi Miyako, Yokoo Tadanori, Terayama Shūji, Provoke, Hijikata Tatsumi, Ohno Kazuo, Awazu Kiyoshi,
Watanabe Hitomi, Saeki Toshio, Kawada Kikuji.

Created by Amélie Ravalec
Published by Thames & Hudson
25 September 2025
£40 hardback

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Amidst the profound social change and political turmoil of post-war Japan, a bold generation of avant-garde artists and photographers emerged in the 1960s, forever transforming the global art landscape.

1960s Japan was a time of profound social change, political unrest and student protests. The turbulent times of the post-war era inspired an artistic explosion in Japan, with the emergence of a revolutionary scene of avant-garde artists who pioneered many disciplines: experimental and erotic photography, 'Angura' theatre and underground street performances, apocalyptic Butoh dance, surreal illustrations and seminal graphic design.

Japan Art Revolution is the first comprehensive overview of the post-war Japanese avant-garde artistic explosion to be published in English, combining first-hand accounts, critical analysis and creative insight on one of the most radical cultural movements of the 20th century.

Taking design cues from Japanese luminaries Yokoo Tadanori and Awazu Kiyoshi, Japan Art Revolution features over 600 captivating artworks, encompassing photographs, film stills, theatre posters and illustrations by visionary artists including Moriyama Daido, Hosoe Eikō, Araki Nobuyoshi, Ishiuchi Miyako, Tanaami Keiichi, Yokoo Tadanori, Hijikata Tatsumi, Ohno Kazuo, Terayama Shuji, Tenjo Sajiki, Kawada Kikuji, Neo-Dada Organizers, Hi-Red Center, Awazu Kiyoshi, Hanaga Mitsutoshi, Nakahira Takuma and Tanabe Santaro.

Drawing on extensive interviews with these iconic artists, this comprehensive publication offers readers a nuanced understanding of the thriving world of Japanese avant-garde art, complemented by insightful texts from esteemed experts, curators, academics and archivists.

Amélie Ravalec is a London-based Parisian film director, producer and colourist. She directed her first documentary, Paris/Berlin: 20 Years of Underground Techno (2012) at the age of sixteen. She went on to direct films on avant-garde, underground and experimental art and music – Japanese Avant-Garde Pioneers (2025), Japan Visions (2026), Art & Mind (2019), Industrial Soundtrack for the Urban Decay (2015). Her films have been shown at cinemas, festivals, museums and cultural institutions across fifty countries, and acquired by TV networks including ARTE, Sky Arts UK and ORF Austria. Her first work of narrative fiction, Sumarsólstöður (2025), expands her exploration of underground and avant-garde culture in a new cinematic form, and won ten awards at international festivals.

“Amélie Ravalec has done a very special thing by putting together this book. In contrast to the usual art books, Ravalec designed every aspect of the book, down to the striking visual design of each page.  Her director and designers eye, and her love for radical Japanese art lend the book an energy and vibrancy that echoes that of the original movement itself. This will be a defining reference work for years to come.“

Outside Left

PRESS REVIEWS

“Ravalec, a filmmaker and author of the photo book Japan Visions,
revels in the wild world of 1960s
and ’70s Japanese counterculture
in this riotous collection.
The book’s stylish, Pop Art–inspired layouts set a funky and edgy mood, and the text enriches the art rather
than crowding it out. The result
is an energetic, eye-popping peek
into the history of the Asian
avant-garde.”

Publishers Weekly

“Amélie Ravalec's new book explores the under-reported movement that emerged from the atomic ashes to transform Japan's creative culture. For professionals seeking their own creative breakthroughs in 2025, Japan Art Revolution offers a masterclass in radical reinvention. Overall, it's a reminder that the most powerful art emerges not from comfort zones, but from complete rupture with what came before.”

Creative Boom

Press enquiries: Jack Ames
j.ames@thameshudson.co.uk